“Homage to the Past and Future” The city of Oostende began its great reforms in 1883. King Leopold II earned the nickname the “constructor” for his contribution to public works. These reforms were possible thanks to the large profits that were made from the king’s colony, an area sixty times larger than…
Read More“1st of September” (2015)
Oils on Canvas. 52x 82.5 Inches. (2015)
Read More“Metaphor for freedom.”, Tijuana, Mexico (2015)
When I got to Tijuana I looked up and stared at the clouds, then at the birds, hopping from side to side. When I looked at the ground, I saw a wall made of metal and concrete; I looked at two families talking, from one side to the other. Two bloods divided…
Read More“The idealism trying to save the future on the night of September 26, 2014” Ciudad Juárez, México (2014)
“The idealism trying to save the future on the night of September 26, 2014” Ciudad Juárez, México. Special thanks to Color Walk for make this happens, gente linda y con futuro Ciudad Juarez has several problems: what is up to us, we have been studying and developing proposals to create a new…
Read More“Idealismo” Solo exhibition, Queretaro, Mexico. Galeria Libertad (2014)
“Denaturing the value of work”, (Idealismo), Galeria Libertad, Mexico (2014). It is a series of two instalations who talks about the relationship and difference between “use value” and “exchange value” in the theory of capitalism. In this case the use of the “piñatas” traditional object in the Mexican culture has an “exchange value” given…
Read More“REINTERPRETAZIONE DEL CONCETTO DI REPUBBLICA”, Racale, Salento, Italy
“ Con questo murale ho voluto esprimermi sul concetto di Repubblica, esattamente sulla bandiera. La bandiera ha un significato molto importante, secondo tutti è quello che ci rappresenta, ma è altresì quello che ci divide, per questo, in certi casi la bandiera può avere valore o talvolta essere vuota. Dipende da noi…
Read More“Description of Latin American arrival to the United States”, Chicago (2013)
“Description of Latin American arrival to the United States” 2013, Chicago, Pilsen neighborhood Thanks to @pawnworks project, the Chicago Urban Art Society and The National Mexican Museum of Fine Art for make this wall happened. Pictures by Joseph Kayne and Max Herman
Read More