Oil and acrylics on canvas 147×147 cm (2017). For see other pieces availables click here
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“The Entity V” (2017)
Oil and acrylics on canvas 147x147cm (2017). For inquiries click here
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“The Entity IV”
Oil and acrylics on canvas (185x156cm). Now exhibit for the Juxtapoz Magazine exhibition during Art Basel 2016 PH: Andrez Flores
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“The Entity”
Oil and acrylics on canvas 140x140cm (2016)
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The Entity III
Oil and acrylics on canvas 138x130cm (2016)
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“Chokokue” wall in Asunción, Paraguay.
Latidoamericano, Public Art Festival 2016. “Chokokue” means Farmer in Guarani. In Paraguay the peasantry is an important social actor for the country’s economy. During 1989-2013 they were executed and disappeared 115 leaders and members of peasant organizations. These attacks has the objective of acquire the land of the farmers this is a due to…
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“Idealism metaphor applied to reality”, Contemporary Art Museum of Cordoba, Argentina, 2016.
The starting point was a little work with the theory that it is painting on the street where (I think) the “no control” of the situation predominates and how I find myself in front of that situation. Generally my position before my public work is a detachment towards the work once I finish it,…
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“Logo II” is a public test applied during my stay in the city of Cordoba (Argentina) for the exhibition “Pioneros de un viaje a ningún lado” at the Contemporary Museum of Art of Cordoba (Caraffa). It is a study that I have been conducting on the relationship between the “individual” and the “logo”.…
Read MoreBuenos Aires – Cordoba (context)
Memories and shapes from Buenos Aires and Cordoba, Argentina (2016)
Read More“Homage to the past and future”, Oostende, Belgium (2016)
“Homage to the Past and Future” The city of Oostende began its great reforms in 1883. King Leopold II earned the nickname the “constructor” for his contribution to public works. These reforms were possible thanks to the large profits that were made from the king’s colony, an area sixty times larger than…
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